VARIOUS ARTISTS: One Point Two: More Digital Listening Music From Rednetic (Rednetic Recordings)

VARIOUS ARTISTS
One Point Two: More Digital Listening Music From Rednetic
RN012
Rednetic Recordings 2007
14 Tracks. 72mins58secs

Rednetic Recordings

In the last five years, London-based imprint Rednetic have delivered a steady stream of elegant electronic records. While the label’s scope has considerably expanded over the years, the focus has largely remained on classic electronica. The label was set up in 2002 by Mark Streatfield and Joseph Auer, and the first release was Streatfield’s debut album as Zainetica, Escaping Dust. Since, Auer, who had then moved from London to Tokyo, released the Kyoto Tokyo 2001 EP, and further releases by Utility Player, The Vizier Of Damascus, Inigo Kennedy, Tommy Bass and Boltfish co-founders Will ‘Cheju’ Bolton and Murray ‘Mint’ Fisher, amongst others, have firmly established the label as one of London’s best imprints.

In 2004, the One Point One compilation collated tracks by some of the above artists together with offerings from Ochre, Sidechain and F.E.A.R. Three years on, the second instalment in the series harvests a further fourteen tracks of classic electronica and techno, with contributions from Mint, Tommi Bass, Liberation Jumpsuit, Infinite Scale, Boc Scadet, Joseph Auer, Sunosis, Zainetica and many more.

Very much like its predecessor, One Point Two spans a vast array of genres, from the elegant electronic swathes of Boc Scadet’s She Spoke Of The Sky, Zainetica’s Awaken or Sunosis’s Leap and the ambient expanses of Polestar’s Retro Future, Infinite Scale’s Cell Out or The Vizier Of Damascus’s Murmurs to the Detroit-infused offerings from Cheju’s Hubl or Inigo Kennedy’s Faraway Towns to the old style techno of Tommi Bass’ Electro Glitch 2007 and the acid funk of Liberation Jumpsuit’s One Night Stand.

The album kicks off in gently mood with the delicate formations and beats of Mint’s Queasy, but things sharpen up quickly, first with the electric charges inflicted by Tommi Bass, then with the dirty electro funk distilled by Liberation Jumpsuit, before Boc Scadet applies lush dreamy textures and brings One Point Two right back into melodic mode. A perfect reflection of the path followed by Rednetic over the last first years, the album then alternates between delicate pieces (Polestar, Infinite Scale, Joseph Auer) and more upbeat moments (Utility Player, Cheju, Inigo Kennedy).

Rednetic have gained confidence with every release, and the label’s audience has been growing accordingly. This second compilation brings together the many flavours of Rednetic and provides an ideal entry point for one of the most consistent independent imprints around.

MINT: Out Of Context / INIGO KENNEDY: Transaction (Rednetic Recordings)

The ever-excellent Rednetic deliver another couple of fine releases with new EPs from Mint and Inigo Kennedy.

MINT
Out Of Context
RN008
Rednetic Recordings 2006
07 Tracks. 29mins17secs




Mint | Rednetic Recordings

Out Of Context is the latest offering from Mint, AKA Murray Fisher, who also operates as one half of Boltfish Recordings. Collecting five original tracks and two remixes, this EP, Fisher’s first for Rednetic, is another foray into classic electronica territories. Lush melodies, crisp beats, warm soundscapes; Fisher builds impressive formations here, from the moody Coerce, which opens, and Out Of Context, to the feverish electro of Roman Triangle, the rampant melancholy of Russian Doll or the uplifting luminescence of Future Automation. Each track offers a slightly different angle to Fisher’s approach, yet they all integrate perfectly with each other, creating a constant flow of rich electronic soundscapes and ambiences. Mint’s own remix of Coerce reveals a much more dance floor-friendly touch, while Neytoda’s take on Out Of Context gives the track a surprisingly urban feel.

Fisher creates here another fine record, at times hinting at classic Detroit techno, and certainly reminiscent of early Warp or ART releases. Yet, this EP is certainly no painful nostalgic homage. Fisher knows very well how to manipulate classic ideas to make them sound fresh and modern, and he does it here once again with great elegance and disconcerting ease.


INIGO KENNEDY
Transaction
RN009
Rednetic Recordings 2006
07 Tracks. 38mins52secs


Inigo Kennedy | Rednetic Recordings

A London-based musician and DJ who has released an impressive amount of records under various aliases on countless labels, including his own, Asymmetric, Inigo Kennedy delivers here a sumptuous collection of electronic pieces for Rednetic. Spread over almost forty minutes, the seven tracks forming the backbone of this release go from beautifully crafted dreamy down-tempo compositions (Passing Doorways, It’s Complicated, A Timeless State) to raging techno moments (Runway Dreams, Quirky Night) without for a moment threatening the finely tuned balance of this album.

All the way through, Kennedy assembles incredibly complex compositions yet manages to retain the melodic aspect of each piece. Passing Doorways sets the standard for the rest of Transaction. Here, Kennedy brings together a haunting melody, sharp glitches and vast soundscapes into a tortured piece, articulating them around three distinct sections expertly jointed together.

Both Runway Dreams and Quirky Night hint at a much more dance floor-orientated approach, which wouldn’t have sounded out of place on any Dust Science releases. While a crisp driving beat rolls over moody analogue waves on Runway Dreams, creating a sharp hypnotic piece, Quirky Night introduces a much lighter tone. At times reminiscent of B12 or early Black Dog, the spirit of Detroit is perhaps much more palpable here than anywhere else on this record. The last four remaining tracks bring the pace down drastically, with Kennedy exploring different atmospheric settings, from the dreamy It’s Complicated and A Timeless State to the more earthy Ideas Arriving and Faraway Towns. Transaction is a truly stunning collection of beautifully produced electronica which is likely to leave any admirer of the genre wanting more. Much much more.